Introduction: «Orphism» is one of the most important artistic movements in world art history, and its bright colors and circular shape are among its most essential features. This movement is a branch of «Cubism» style. Cubism was an advancement in art that influenced artists to abandon existing traditions and form new movements, such as Orphism. The present research first examines the color and form in the works of Orphism, and in order to investigate its evolution, it examines the color and geometric shapes in Cubism to discover the factors that cause changes in the transition from Cubism to Orphism. Then, it explores what is so powerful about the circle shape that drives artists to use it to convey ideas. This research aims to investigate the emergence of bright circles in Orphism based on the evolution of the color element and geometric shapes in the transition from Cubism to Orphism and to identify these developments in the works of artists such as Picasso, Braque, Gris, Delaunay, and Kupka.Research Method: The current research method is descriptive-analytical, and data collection is conducted using documents and library materials, such as note-taking and photo reading. The statistical population of this research is thirteen paintings in Cubism and Orphism styles.Findings: The circle shape was the best way to evoke music due to its endless and continuous movement in combination with bright and vibrant colors. When music is depicted, the evidence shows that abstraction and reaching something beyond the material world are concerns for them; this is one of the other reasons for choosing the circle shape, which symbolizes the reflection of the world, unity, sublimity, integrity, and divine nature. The representation of movement, music, and celestial symbols with bright, vibrant colors and a circular shape in the works of Orphism can be seen as the continuation of the geometry of Cubism, and on the other hand, compared them with everyday day and earthly scenes, such as nature and still life with limited colors and dimensions of Cubism.Conclusion: Cubist artists with a realistic mentality sought to express earthly and material events. Orphisms followed an extraterrestrial and spiritual point of view and displayed it in their works with bright circles, one of the oldest meaningful symbols of humanity.

One of the most important devices in poem is the repeatation of vowels and consonants is named alliteration. Important is that alliteration has two functions, sound function and meaning function. In this article an attempt has been made to present a modle for analyzation of alliteration.

Brilliant blue is largely found in ice cream, canned processed peas, packet soups, blue raspberry flavored products, dairy products, sweets and drinks. It is also used in soaps, shampoos, mouthwash and other hygiene and cosmetics applications (Archived from Florida). This study was aimed to investigate the antimicrobial effects of Brilliant blue on Bacillus subtilis as a gram positive bacterial strain and Pseudomonas aeruginosa as a gram negative bacterial strain with MIC, MBC, and disk diffusion assay. MIC values of Brilliant blue against Bacillus subtilis was 5μ g/ml, and MBC values was 60 μ g/ml and MIC values of Brilliant blue against Pseudomonas aeruginosa are 10 μ g/ml, and MBC values was 80  g/ mL. In this study Brilliant blue had only a bacteriostatic effect on two bacterial strains. The result of disk diffusion assay showed that Brilliant blue (0. 625, 1. 25, and 1. 875 μ g) has not antimicrobial activity against Bacillus subtilis and Pseudomonas aeruginosa. It can be concluded that Brilliant blue might not pose a potential risk for our bacterial flora. However, it must be evaluated with different new studies.

According to the gold edge of Iranian painting, we find Mirajnama has a book that illustrated based on the stories of prophet "Muhammad's (pbuh) life". It is one of the religious stories that are talking about a holy journey of Prophet Muhammad (pbuh).There for, we have an album that belongs to ilkhani period. One of the central atelier of ILKHANI period is in Tabriz, Called (rabe -rashidi), this center was assisted by (Rashid-eedin) who was the Prime minister of Ghazan khan, the king of Mongols. Rashid-e-edin had invited the artist and poets from all over the world, in (rabe-rashidi) to create the literary books. In this album we can see great differences between this mirajnamah and the other contemporaries' manuscripts. The illustration of mirajnamah based on mystic consideration of their artists. They had inspired by their religious believes they find the world as the creation of God and they believes in God as the greatest love, so their brush leads by god, and he made their art holy. The naturalistc aspects of mirajnamah improved these manuscripts in this period. During these periods of time in Tabriz, we find a great master of miniature called Ahmad moosa, he had a great effect on this periods. He was also change the way of Iranian painting. Representing the big figure is a specific character of these manuscripts. There for we can recognize the Chinese and Byzantines effects in these manuscripts it shins through the figures ,as we understood that the Chinese figurative painting is fluid and the Byzantines manuscripts has no tolerance in drawing and their lines are solid. In this mirajnamah we can find out the brilliant method of Iranian artists .theses artists could mix these two methods with his special way; the way winches was the best combination that reflected the Iranian character in a wonderful way. The Iranian artist had selected the best point of view of whole story. They had also found the best techniques for displaying his goal. The color play a gate role through these manuscripts. The shiny colors seems familiar for us, we faced them in Demoot Shahnamah. But the shines of color in miraj namah are more. The method of drawing of figure based on live model, the artist mix the live model with his own imagination and make anew image. We can find many visual new aspects through this mirajnamah, the harmonized color has made of exact balance. The expression of the portraits is wonderful and they expressed more emotional feelings than the last manuscripts. Drawing plays a big role through this painting, and it has an individual value. Perspective is another aspect of these manuscripts; the artists had a great inspiration of perspective. He shows them in the suitable way that he can ever do. He learns them from the chine's painters. in this essay, we are going to find the aesthetical visual aspects of these manuscripts and after that we can find the different astatically parameters of them.

Bradley mentions a vicious circle according to which any theory that considers external things as units composed of plural components are deficient. Since most tropists maintain that the minute things are composed of coexisting trops, Bradley’s vicious circle covers tropism as well. Mavrin holds that Bradley’s view on how the relationship exists is wrong, and that the relationship is something with an existential dependence on its surroundings; and she has, thus, resolved Bradley’s vicious circle. However, based on a reading of Allama Tabatabai’s analysis in the discussion on existence of a connection, one may criticize Mavrin and consider a mutual dependence between the relationship and its surroundings. Besides, although Mavrin’s view resolves Bradley’s vicious circle, it seems to be inconsistent with tropism theory. In this article, after a brief look at tropism, we mention Bradley’s vicious circle and explain it for the theory of tropism. Then, we mention Mavrin’s solution and review it to defend the view of internal and mutual dependence between the relationship and its surroundings.

This article deals with biographies of six brilliant and reputed artists of Isfahan: Mirza Agha Emami, Zinat Emami, Abbas Ali Poorsafa, Javad Rostam Shirazi, Hossein Mossaver-ol- Molki and Yervand Nehapetain. This contribution is regarded as a sign of loyalty and gratitude towards great artists of this art-loving city.  

In Iranian Art mystical Concepts and Symbolic signs have always been affective methods in conveying thoughts, religious and ceremonial insights. For this reason, symbolic concepts and mystical Literary and artistic works have been assigned a major part of Iranian art. Probably no other symbol was known more than the winged circle in different tribe's culture and this is why today in the modern world we can still see this sign in different companies and organization logos and trademarks. For this purpose we study the falcon sign which was the sun's symbol in all ancient civilizations and has a deep relation with this sign, then will consider the meaning and symbols of the winged circle on those civilizations. We hope that this research will be useful to all who wish to know more about this mystical sign.